Park Jung-min took a year off and couldn't stand it, so he showed his face again..Two roles for one person → A drastic transformation of visually impaired characters
Jul 28, 2025
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'Face' reveals the sidewalk still, adding to the curiosity about the movie. With the theater's release confirmed in September, the 50th Toronto International Film Festival's special presentation section, which is officially invited to be held from September 4th to 14th, is attracting attention as the mysterious story unfolding across the present and past points of view and the good performance of faces representing Korean films such as Park Jung-min, Kwon Hae-hyo, Shin Hyun-bin, Lim Sung-jae and Han Ji-hyun are captured.
First of all, Park Jung-min's curious stills about his challenge to acting in a two-person role, which is being criticized for having changed his face after the trailer was released, draw attention. Lim Young-kyu, a visually impaired artisan, and Park Jung-min's colorful faces, who played his son Lim Dong-hwan, raise expectations for his performance in the film.
Kwon Hae-hyo's appearance, which shows the aura of craftsmen in all fields, is also expected to show his colorful performance, while his high synchronicity with Park Jung-min, who played as a young man, also catches the eye. In addition, her husband, Lim Young-gyu, and her son, Lim Dong-hwan, can also check the images of Jung Young-hee (Shin Hyun-bin), who has never seen her face, raising curiosity about Jung Young-hee's face in the movie and the mystery surrounding her.
In addition, Lim Sung-jae, who will present a three-dimensional face as the president of a clothing factory that dominates the Cheonggyecheon area, and Han Ji-hyun, who turned into a documentary producer with a quite different atmosphere from his previous roles, arouse questions about how they get involved in events in the movie.
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Even the father was blind and could not see his wife, Jung Young-hee, and the reality of his mother's face, which he had never seen since he was separated as a newborn baby, and the double mystery of who killed her, amplifies tension with still images alone.
In particular, Mise-en-scène, which details the era of more than 40 years from the 1970s to the modern point, is raising expectations for a well-made production that will be vividly reproduced on the screen.
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