Kim Goeun Reflects on Growth and Friendship in Netflix's 'You and Everything Else'
Sep 23, 2025
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Netflix's original series 'You and Everything Else' (played by Song Hye-jin, directed by Cho Young-min) is a story about two friends who like and admire each other the most at every moment, and who are jealous, hateful, and intertwined throughout their lives. Kim Go-eun plays Ryu Eun-jung in the play, portraying the stories of people in their 20s, 30s, and 40s.
Kim Go-eun met with Sports Chosun at a cafe in Jongno-gu, Seoul on the morning of the 22nd and said, `I'm relieved that I think I've got a good work.' `When the work comes out, I get a call from an acquaintance around me, but this time, the actors and seniors really contacted me a lot. I thought that people in the industry gave me a lot, so I thought I was watching it well. Many people laughed, saying, `I've been watching all night because of you,' or `The sleep pattern is ruined.'
'You and Everything Else' are works that resonate with viewers of all ages by depicting their teens, 20s, 30s, and 40s. Kim Go-eun also said she sympathizes with both Eun-jung and Sang-yeon."There were times when I was Eun-jung and there were times when I was Sang-yeon. I can't say I understand everything, but I have an understanding of the mind that I have no choice but to do so. There were situations where I had that kind of mind, and I thought a lot that there might be a part where my thoughts or vision could be narrowed. I think the most heartbreaking line in this work is 'If a child thinks like that, the world will be like that'. Of course, I'm not a child, but I once thought that once I crossed my mind and settled down, a world was created, and it seemed easy, but it was difficult to come out. When I remembered the time when I struggled to come out like that, Sang-yeon really came out late and felt fortunate that he somehow came out, and when I heard the line, I thought 'Samuda'. It was a pity, and I wondered if Sang-yeon's life would have been different if he had come out early.
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Kim Go-eun "I think I've changed how much I've changed in my 30s because I'm in my 30s. Obviously, if it's different from the way you speak in your early 20s, it's the most active time to work. I thought that the influence from work would be revealed in the way I speak. There are occupations that emit such energy because the atmosphere varies depending on the type of job in which the energy is worked, so I tried to create that atmosphere, although I don't say that my walking, greeting, gestures, and attitude are a little more active than those in their 20s."
Kim Go-eun also said, `I think I saw a lot of people around me in my early 40s. Anyway, I haven't been to my 40s either, so the atmosphere will change a lot when I'm in my mid to late 40s, but when I think about my mid-30s to early 40s, nothing really changes. So I thought that making such a change might seem exaggerated in a way, so I gave it a feeling of calmness. I think I left the profession, and since it's a job where I write alone, I think I spent 10 years thinking about such calmness and changes in the atmosphere."
In particular, Kim Go-eun shed tears at the production presentation of 'Eunjung and Sangyeon' as she recalled the way to spend the end of the performance. "I was only going to tell this story at this time," Kim Go-eun opened up, "and actually lost my closest friends in 2023.It happened in a short time, and it's amazing that the works I filmed in the year of 2023 were 'Loving Law in the Large City' and 'Eunjung and Sangyeon'. I didn't mean to do that, and it was set up like that. But of course 'The Love Act in the Large City' is also about friendship, but the story of friendship in their 20s is dominant. When filming 'Eunjung and Sangyeon', I thought Eunjung, who left a work called Eunjung, was talking about Sangyeon. Looking at Sangyeon's diary, I thought it was a story that conveyed the child's life and my life well from the child's point of view. We don't really have a chance to let someone we really love go. Sometimes it's very difficult to protect someone's death, whether it's a grandmother or not, but as I told you on the bed at the last minute, then I could tell you, and I worked hard so that I could go well. I can also add 'Well endured', and I think that was a good opportunity for Eunjung. Of course, it must have been difficult for Eun-joong, who was left behind, but I wonder if he would have relieved his mind. When I think of that scene, I cry."
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It contains a deep narrative, but it is not receiving much attention from global viewers, perhaps due to the rather long episode of 15 episodes. However, viewers who watched Eunjung and the performance ' in Korea are constantly receiving favorable reviews. "I'm new to the Netflix original, so I'm not sure how to view the figures. But I heard that you have to watch it from part 1 to the end to get good grades. Then, since it's a good work, I thought it would gradually increase even if it was slow. I hope and hope so again. Please."
lunamoon@sportschosun.com